A Two-Day Wedding from St Andrews to The Engine Works, Glasgow
Hazel and Ally did not try to make one wedding day hold everything. Instead, they split the celebration in two: a small family ceremony at Hotel du Vin in St Andrews, followed a few days later by a much bigger party at The Engine Works in Glasgow. The two days felt completely different, but together they made perfect sense: quiet, personal and coastal to begin with, then loud, generous and properly Glasgow by the end.
An intimate wedding at Hotel du Vin, St Andrews
The first day began without the usual wedding-day rush. Hazel, Ally and their nine closest family members met in the bar at Hotel du Vin St Andrews before moving through to the Macallan Room for the ceremony. There was no wedding party and no formal walk down the aisle. Everyone was already together, which made the whole thing feel less like a performance and more like a family gathering that happened to include getting married.
Susan Cassidy led the ceremony with the warmth and lightness Hazel and Ally wanted. Afterwards, confetti was thrown on the hotel steps and we made a few family photographs close to the building before walking into St Andrews for portraits.
The old stone, narrow streets and soft light coming in from the coast are made for film photography. I used a mixture of digital cameras and analogue film, letting the grain and slightly unpredictable colour keep the photographs feeling like memories rather than something overly polished. The flowers from Victoria Bloom brought a lovely hit of colour against the quieter St Andrews backdrop.
A few days later: The Engine Works, Glasgow
Day two changed the pace completely. Hazel got ready at home in Bearsden before everyone gathered at The Engine Works in Glasgow. The former industrial space has exposed brick, high ceilings and enough room for a party to build naturally, without guests being moved through a rigid sequence of rooms.
Hazel and Ally had already done the legal and emotional part in St Andrews, so this day was about spending time with the wider group of people they love. We made the few requested group photographs early, then left the rest of the celebration to unfold. That was important to them. They wanted to be present with their guests rather than disappear for a long portrait session.
Wedding photography that did not pull them away
Hazel and Ally told me from the beginning that they were not comfortable being photographed. What they wanted was something unobtrusive: pictures that showed the people, the atmosphere and the odd little moments they might otherwise miss.
Afterwards, Hazel described the photographs as exactly the “fly-on-the-wall style” they had hoped for. Friends and family kept asking, “How did he get that picture?” because they had not noticed the camera at the time. That is always the aim. A wedding should not feel as though it is happening for the photographs; the photographs should come from what genuinely happened.
Speeches, pipes and surprise Bongo’s Bingo
The Engine Works party had its own brilliant rhythm. Ally spoke before dinner, his dad Ronnie piped everyone into the room, and Hazel’s dad Alan followed with his speech. Then Tartan Entertainment launched a surprise round of Bongo’s Bingo, which got the whole room moving far earlier than a traditional evening reception normally would.
Later, The Woodfired Guys arrived with pizza, and Hazel and Ally held their first dance and father–daughter dance after the food break so the party never lost momentum. By that point the dance floor was full, the flash was coming out and the photographs became looser, grainier and more energetic.
Analogue film photography across St Andrews and Glasgow
Photographing the wedding across two days gave the film work two very different textures. In St Andrews, the frames are softer and calmer: family gathered close, flowers against old stone and Hazel and Ally walking through the town after the ceremony. In Glasgow, the photographs are full of movement, brick, warm light and direct flash.
I love working with both 35mm film and digital photography for weddings like this. Digital catches reactions at speed, while film adds depth, texture and small imperfections that suit the way a real celebration feels. Together they tell a fuller story: not one endlessly staged day, but two distinct chapters shared between St Andrews and Glasgow.
The team behind the two days
Hazel and Ally worked with a lovely group of Scottish wedding suppliers across both celebrations.
St Andrews venue: Hotel du Vin St Andrews
Glasgow reception venue: The Engine Works
Celebrant: Susan Cassidy
Florist: Victoria Bloom
Make-up: Victoria Grace Artistry
Hair: Jenny Morris Hair
Entertainment and Bongo’s Bingo: Tartan Entertainment
Highlandwear: MacGregor and MacDuff
Evening pizza: The Woodfired Guys
Cake table: The Cake Mixer
Guest-shot wedding film: Edit Your Wedding
Planning a St Andrews or Glasgow wedding?
If you are planning an intimate ceremony in St Andrews, a party at The Engine Works or a two-part wedding that does things in its own order, I would love to hear about it. I photograph weddings throughout Scotland using digital and analogue film, with a documentary approach that gives you space to enjoy the people around you. Get in touch and tell me what you are planning.