Thirlestane Castle Wedding Photography on Film

McLane and Michael came from the States to marry at Thirlestane Castle in Lauder, in the Scottish Borders. They made time to see each other before the ceremony, have their photographs taken and share drinks with the wedding party. I liked that rhythm. By the time everyone gathered for the ceremony, they’d already had a proper part of the day together.

The setting gave us two very different kinds of light: bright gardens and lawns outside, then deep shadows and pools of window light inside the castle. I photographed the wedding with 35mm, medium-format film and digital, choosing the film stocks around those changes. From the library portraits to the speeches around a long candlelit table, the rooms had their own atmosphere, and I wanted that to stay in the photographs.

A first look and portraits before the ceremony

The first part of the day was about the two of them. There were bow ties to straighten, jackets to finish and a quiet first look before the wedding became a room full of people. The photographs by the tall windows show that closeness particularly well. One helping the other get ready, then the two of them sitting together with the tartan curtains behind them.

We moved through the castle for portraits, using the wooden doorways and the library’s bookshelves and ochre sofa. Outside, the scale changed. We had the castle behind them on the steps, trees overhead on the paths and climbing roses against the stone walls. Having this time before the ceremony let us make those photographs without pulling them away from the reception later.

Then came drinks with the wedding party. Bow ties and formal rooms didn’t make it feel stiff. People were laughing, leaning into conversations and catching up, with glasses in hand. Those are the pictures that give the portraits their context.

An indoor ceremony at Thirlestane Castle

The ceremony took place in the State Dining Room, with Jane Keir as celebrant. Rows of wooden chairs faced the flowers, framed portraits lined the walls and the ornate ceiling sat above everyone. It was a very different setting from the garden photographs, with warm tones and much more directional light.

McLane and Michael walked in together as their guests stood and applauded. I kept looking beyond the two of them as well. A smile from someone in the front row, a hand raised to wipe away a tear, faces turning as they came down the aisle. The room matters, but so do all those small reactions happening around the ceremony.

Drinks on the lawn and dinner in the State Drawing Room

Afterwards, everyone gathered outside the castle. We made family photographs beside the roses, while the rest of the reception carried on around us. There were hugs, drinks and friends making their own pictures on their phones. The wide photographs of guests against the castle put the whole gathering back into the landscape.

Platter & Pop handled the catering and flowers. For dinner, a long table filled the State Drawing Room with colourful arrangements, red candles and gold-edged plates. The table drew everyone into the same space, which made the photographs of speeches feel close even with the grandeur of the room around them.

The speeches brought more laughter, and the sculptural cake had its own place beside the window before McLane and Michael cut it together. Later, we stepped outside again for a few photographs on the front stairs and the lawn. The lower evening sun gave us a softer finish to the day.

Choosing film stocks for dark interiors and bright gardens

Film choice was an important part of photographing this wedding. I used ISO 400 medium-format film alongside Kodak Portra 400 and Portra 800 on 35mm. The bright outdoor portraits and the moody castle rooms asked for different decisions. I wanted the garden light to feel open, while keeping the depth of the interiors.

For indoor couple portraits and the speeches, I rated Portra 800 at ISO 1600 and pushed it one stop in processing. That choice let me work with the available light and hold on to the atmosphere of the rooms. Pushing film doesn’t turn a dark room into daylight. Exposure still matters, and the deeper shadows are part of how these photographs feel.

The medium-format photographs gave the quieter portraits room to breathe. The 35mm frames sat alongside the conversations and movement, with digital woven through the coverage as well. Together they make one account of the wedding, with different textures and ways of seeing the same day.

If you’re considering a similar blend, you can see more in my wedding photography portfolio and read about my film wedding photography across the UK.

Planning wedding photographs at Thirlestane Castle

Is Thirlestane Castle in Edinburgh?
No. It’s in Lauder in the Scottish Borders, south of Edinburgh. That makes this a Borders castle wedding with a useful connection to Edinburgh for couples travelling from overseas. The castle’s destination wedding information is a good starting point for planning your stay.

Can we have portraits before the ceremony?
McLane and Michael did exactly that. A first look followed by portraits indoors and in the grounds meant they could spend time with their wedding party before the ceremony. It’s worth building that sequence into the timetable with your photographer and venue team.

Where did we take the photographs?
For this wedding, we used the tall windows, library and panelled doorways inside, then the paths, roses, garden steps and castle frontage outside. Keeping the locations close together gave us variety without making portraits a long excursion.

Does film work in the castle interiors?
Yes, with thoughtful exposure and stock choices. At this wedding, Portra 800 rated at 1600 and pushed one stop was part of my approach to indoor portraits and speeches. Window light, the room’s shadows and digital coverage all had a place in the finished gallery.

The team behind the wedding

The people and businesses involved in McLane and Michael’s Thirlestane Castle wedding.

Venue and coordination: Thirlestane Castle

Celebrant: Jane Keir

Catering and flowers: Platter & Pop

Harpist: Verity Gibson

Wine: Murray Brown at MB Wine Services

Cocktails: Giraffe Cocktails

Film wedding photography in Edinburgh and the Scottish Borders

If you’re planning a wedding at Thirlestane Castle and want photographs on film and digital, I’d love to hear what you have in mind. I photograph weddings across the Borders and offer film wedding photography in Edinburgh too. You can explore the wedding photography collections, or get in touch with your date and plans.

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A Back Garden Wedding in Morningside, Edinburgh